User:DaveE
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[edit] Dave Everitt
I'm a research fellow (and probably a creative generalist with some special interests) following a fairly open transdisciplinary remit over a range of activities, including:
- making connections, stimulating and collating ideas (this spans several fluid areas)
- continuing research and consequent papers
- proposals for new art-science-technology projects
- Theory culture and technology reading group (with Simon Mills and Helen Wood)
- Creativity research under CREEM (Creativity East Midlands)
- Involvement in the Leicester Digital Mapping project
[edit] Projects in which I've been or am involved
- Creativity East Midlands
- Tags/Networks/Narrative data visualisation
- Transliteracy
- Knowledge Media Design (web development/design for Royal Photographic Society exhibitions 1870-1915 website)
- East Midlands Rural Culture (ongoing website development/management)
- Disability Arts Online (management and fundraising, web development)
[edit] Links
- Personal biography (things I've done and am doing)
- artworks (artwork I've made since 1998)
- Emergency Artlab (live art-technology group 1999-2002)
- cubeLife (ongoing artwork and research)
[edit] Professional history in a paragraph
Fine Art, publishing and printing design technology, ethical and eco-aware publishing, environmental initiatives for national industry organisations, disability arts and research, web technology and information architecture, art-technology and affective computer interfaces. Professional partnership Eco Consulting partnership established 1992, part-time lecturer in New Media, Humanities.
[edit] Brief quotable biography
Dave Everitt is an artist and researcher whose work has included physiological input in mediated art, the interplay of order and disorder in mathematical pattern, and collaborative live art-technology projects. A research fellow at Leicester's Institute of Creative technologies and former visiting researcher at Creativity and Cognition Research Studios, and a recipient of Arts Council England funding, he maintains two occasionally productive collaborative art-technology projects. His principal interests are the implications of the interdisciplinary sciences for artists and creators, and web programming culture; he runs a media information design consultancy, lectures and researches in New Media and art-technology partnerships.
